Does bad language have a place in the opera house? Is the life of a stripper turned reality TV star a suitable subject for operatic treatment? And, can opera find a viable way of reflecting culture today?
The day after the premiere of Mark-Anthony Turnage’s “Anna Nicole” at Covent Garden, Andrew Clark, FT classical music critic, puts these questions to Gina Thomas, UK cultural correspondent of the Frankfurter Allgemeine Zeitung, and Laura Battle, FT staff writer and critic.
Produced by Griselda Murray Brown