The British Film Institute has just launched a season of Woody Allen comedies, ranging from his knockabout beginnings to the recent Midnight in Paris, his biggest commercial success to date.
Like Match Point (2005) and Vicky Christina Barcelona (2008), Midnight in Paris was hailed as a “return to form” by some – but has he really still got it? How does his recent output compare to the earlier films? And do those classics still resonate today?
Raphael Abraham is joined in the studio by Geoff Andrew, Head of Film Program at the BFI, Peter Aspden, FT arts writer and Nigel Andrews, FT film critic.
Produced by Griselda Murray Brown