FT Arts

Harriet Fitch Little on how Dolly Parton’s anti-work anthem went from the movies to the White House to a muddy field in Glastonbury. Credits: Sony Music Entertainment, Capitol Steps, Pumpin’ UK Records, Dolly Records, BBC/Glastonbury

 

Amy Walker on how a saccharine love song was transformed by Otis Redding into a provocative and impassioned soul classic. Credits: Baierle Records, Cool Note, 104pro Media, Daxa production, Digital Remasterings, ABKCO Music & Records Inc., Rhino Atlantic, Universal Island Records, Roc-A-Fella Records, LLC/Shawn Carter

 

David Cheal traces the song’s journey from a forgotten 1950s melodrama to an enduring love ballad covered by Nina Simone, David Bowie and George Michael. Credits: Old Style, Blooming Jazz Records, Rhino/Warner Bros., Parlophone UK, One Little Indian Ltd, Lakeshore Records, Sony Music Entertainment UK Ltd.

 

The Japanese hit has been renamed and redefined by western artists from the Gipsy Kings to Snoop Dogg. Credits: JB Production, K-Tel, New Jersey, 2012 Carinco Neue Medien AG

 

Paul Anka originally wrote the song for, and in the persona of, Frank Sinatra, claiming he’d “never written something so chauvinistic, narcissistic, in-your-face and grandiose.”

 

For more than 50 years, this ballad’s haunting charms have proved irresistible to many of the world’s leading musicians. Credits: Firefly Entertainment, Black Sheep Music, X5 Music Group, Manhattan Records, UMC, Mute/BMG, Sony Music Classical, RCA Records Label

 

Songs can be mixed blessings. Screamin’ Jay Hawkins’ most famous one brought bliss to all who touched it – except its composer. Credits: AP MUSIC LTD, Universal Music International Ltda., Rhino

 

The song crystallises a moment in time between the optimism of the Summer of Love and the darkness on the desert horizon. Cathi Unsworth explores its history. Credits: Boots Enterprises, Inc., 4AD, Columbia, Ever

 

Joy Division’s stripped-down sound signaled a new direction for music in 1978, but the lyrics to this song would prove horribly portentous. Credits: WM UK, London Records, Universal Music International Ltda, Palare, BBE

 

Ian McCann charts the transformation of UB40’s number one hit, from Neil Diamond’s country ballad to iconic reggae ditty.

Credits: Virgin Records, Universal Music International Ltda, Sanctuary, Capitol Records, Authentic Jamaican Music, K-Licious Music